When Hannah Moderow was my student at VCFA, she worked on a novel about a girl, a missing father, and a mountain. Not just any mountain but the iconic Denali, the tallest in North America. Her early draft contained striking elements of truth and beauty. It was difficult and moving. It is always hard to use a novel close to your heart as the vehicle for learning how to write a novel, but Hannah was one of those students you dream of, the kind who never flinches from hard work.
I asked Hannah to write a guest post on the writing and publication of Lily’s Mountain. Thank you and congratulations, Hannah!
My dream to publish a middle grade novel began when I was a middle grade reader. In elementary school, I fell hard in love with books like Charlotte’s Web, Summer of the Monkeys, and Tuck Everlasting.
I knew then that I wanted to be able to create this kind of magic: words on pages that had the power to take readers into an imaginary world that could hold them and captivate them, if only for a few enjoyable hours.
Brilliant teachers throughout my life told me to keep writing… that I could become a published writer someday.
Thankfully they didn’t tell me just how hard it is to get a book published.
Flash forward to my early 20s. I’d finished my undergraduate degree in English and I had a big fat middle grade manuscript sitting on my desk. I went to a few writing conferences, and editors encouraged me to submit work.
This was back in the early 2000s when you still had to mail manuscripts to publishing houses.
After a few rejections that took months to arrive, I decided on a very cold day in Denali that if this dream to publish a book would come true, I needed to know more. I could read books and revise my manuscript a million times, but I felt like I needed more instruction… more feedback, more lessons, or more of something.
That’s why I applied to Vermont College of Fine Arts to get an MFA in Writing for Children & Young Adults.
I’d always known there was magic in middle grade novels, but I never could have imagined how much magic I’d find at Vermont College of Fine Arts.
For two years while pursuing my MFA, I was given the rare opportunity to indulge in the magic of writing. I worked with four different advisors over that time—including Uma!—and I read dozens of books each month while writing dozens of pages.
This was the one time in life where I was being told to play with words, play with stories, and revise, rewrite, and re-envision. Sometimes, my teachers told me my work was brilliant. Sometimes they told me to throw away everything I had just written and start over.
The best part was feeling that everyone in the program—teachers and students alike—seemed just as captivated by stories as I had always been, since those early days as an avid reader.
I started Lily’s Mountain while studying at Vermont College of Fine Arts (VCFA). From first draft to publication, the book took eight years to write.
Eight years spanning crazy milestones in my life. When I started the novel, I lived with two girlfriends in a house—our first attempt at being grown-ups after college. Midway through my MFA, I met Erik, the man I would later marry. Not too long after that, Erik suffered a spinal cord injury throwing a major mountain in our life.
We pressed on, and Lily was a constant companion while we were living in Seattle for a few months when Erik was in the hospital. For me, Lily became not just an imaginary girl in my imaginary story. She was a fellow traveler in this journey called life. Lily’s character morphed over eight years, and so did I.
VCFA did not save me from rejections. Lily’s Mountain was rejected by 47 editors. 47! There’s no magic in that. But I pressed on, buoyed by the wisdom of VCFA, and the friendships and mentorships that I received there. I remained hopeful that someday this story about a girl and her missing father, and the mountain that stood between them, might offer a little magic to young readers.
47 editors might have rejected Lily, but the 48th said “yes.” That “yes” made the dream to have a published book a reality.
I always thought life would feel different once I had a published book. It’s not as different as you might think. I love writing just as much, and I love reading just as much.
For me, the best part of being a published writer is imagining kids out there, even if it’s just a few of them, who open the pages of Lily’s Mountain and get to experience a few hours of magic that made me so sure that I had to grow up to become a writer.
I’m forever grateful to my teachers and fellow writers at Vermont College of Fine Arts for telling me and showing me that it’s worth it to keep on writing…and bringing magical stories to life.