The Africville of this heartfelt and beautiful picture book no longer exists as it did for 150 years just north of Halifax, Nova Scotia. That community, largely consisting of the descendants of Black Loyalists migrating north after the American Revolutionary War and Black Refugees fleeing American slavery, was torn down in the 1960s and its inhabitants forcibly relocated. Few know that Halifax itself was built with the labor of enslaved people.
Africville’s history is the background and context for Shauntay Grant‘s lovingly crafted picture book, illustrated with Eva Campbell’s lustrous oil and pastels on a textured canvas background. The graininess of the canvas gives the characters shadowy edges, blurring the borders between past and present. Imagining the community as it must have been many years ago, the young narrator leads the reader through details of landscape and sensory experience, from hill to field to pond and to the ocean’s shore. Infused with the tenderness of family and community, conveying the sense of stories kept alive, the book simultaneously embraces today’s child reader.
Africville may no longer be the thriving town it once was, the book suggests, but feel the stubborn love that kept its stories alive. There is much to this history. The residents of the community paid taxes but got no services. A railway extension cut through the village, destroying several homes. But wait. The story also includes an admission of racism, an apology rendered by the Mayor of Halifax in 2010, a replica of the orginal church built to house a museum, part of a compensation deal. Lyrical and healing, this picture book offers a window into a little-known past and suggests it holds deep relevance to the present.
What might America look like, I wonder, if healing from the past’s wounds could ever be made a priority? What would that mean for America’s children of every color? Compensation? Apology? What a concept!