Yes. Everything. “A Story About Everything” is how this professor, Arti Dhand, describes The Mahabharata in her pandemic project, a podcast with 15-20 minute episodes that herds listeners onto the convoluted trail of this ancient story.
For another take on the story, see The Mahabharata: A Child’s View by Samhita Arni, a text that has clarity and candor and a kind of touching freshness. That’s because the writer was 10 years old when she began this project, so as a reader I have to come to this with an openness to that truthful child’s heart.
But I will say, Arti Dhand’s is the treatment I’ve been waiting for all my grownup life. Delivered orally, contextually, and in small bites. What I really like about this podcast is that it treats the Mahabharata as a literary text and not a religious one. So often in my Hindu upbringing, it was no more than the frame story for The Bhagavad Gita.
Why do I find this avowedly secular approach comforting? I think because it absolves me of having to draw moral conclusions every few minutes, or resist the ones the storyteller’s pushing. I was never very good at accepting canned morality, whatever its source.
Finally, I wanted to learn about the art of this epic tale rather than tie myself into internal knots of conscience, because, you know, who needs more of those during a pandemic?
I’ve listened to 20-ish of the 40-something-and-still-ticking episodes. Let’s just say I’m finding Arti’s podcast as irreverent, pragmatic, and wildly imaginative as the story itself. And it’s a lot of fun to hear the resonances between its parts, the repetitions of names and themes, and the casual tossing in of great philosophical questions left deliberately unanswered in a manner that seems familiar and relevant in the 21st century.
Manu Patel, Mars to everyone, is one of a motley crew of outsiders at H.G. Wells Middle School in the Seattle area. The Unexplainable Disappearance of Mars Patel is the first of a three-book series by Sheela Chari, based on an award-winning podcast from Gen-Z Media.
Sheela Chari’s opening title is charming, engaging, spot-on for middle grade voice and eccentricity. I asked Sheela if she’d tell me more.
[UK] You’ve ventured to the borders of the known world in this project. How does one go about novelizing a podcast? What parameters did you have to stick with and what was the extent of your creative freedom?
[SC] The Unexplainable Disappearance of Mars Patel is an original podcast that spans 3 seasons, created by Gen-Z Media. The Mars team did a fantastic job of bringing their story to life in podcast form, with kids around the world tuning in to find out what happens next as Mars and his pals search for their missing friends while encountering the mysterious billionaire inventor, Oliver Pruitt.
When I first came on board to novelize this popular series, I asked myself the same question — how do I take a high-action audio drama and turn it into a book? Some lucky things I had going for me: I had the entire plot laid out, season to season. The other lucky thing is that I had support from the Mars Patel team to take the story and make it my own. This meant I was free to explore these characters, their backstories, and even make adjustments to the storyline to make the novel work.
Still…I had some choices to make: where does the story start in time? How do we hear the voices of these characters who are so strong and distinct in the podcast? And how does Oliver Pruitt, who narrates the podcast, play a role in the novel? Eventually, I wrote the story in third person and I gave everyone a chance to tell some of the story, though we stay mainly with Mars. I also relied on texting messages, podcast transcripts, and comments to give us a flavor of how the characters speak with each other and over social media. This was hands down, the most fun I had in writing this book! I loved writing the group texts between Mars, Caddie, JP and Toothpick — with just a few lines I was able to show how they think and communicate. I also loved the sections where podcast fans could leave comments for their hero, Oliver Pruitt. As the novel progresses, their comments gradually change form adoration to suspicion as it dawns on them that Oliver Pruitt might not be the person he says he is.
In terms of the plot, I tried to stay as faithful as I could to the original story. Fans of the podcast who pick up this book will recognize all the key moments. This way the reader and the listener will arrive at the same place by the end of Book 1 and Season 1. But I also wanted to give readers something extra — the backstories of the core characters, to show us why Mars, JP, Caddie, and Toothpick do what they do, and why they remain so fiercely loyal to each other. Lastly, it was a joy to set the book in Washington State, where I’m from. People who live or have visited the area will recognize elements of the Puget Sound in Mars’ fictitious hometown of Port Elizabeth.
[UK] What came easily to you in writing this first series title? Any challenges you didn’t anticipate?
[SC] Any mystery writer will tell you that the hardest part in writing a mystery novel is the plot. I didn’t have the problem! The whole plot was given to me from start to finish. Which really allowed me focus on the characters and the storytelling. The biggest challenge was figuring out how to create the character of Oliver Pruitt on paper.
In the podcast, Oliver Pruitt is the narrator. Listeners will realize early on that Oliver Pruitt is an unreliable narrator. He’s telling the story but he’s also part of it, and he’s constantly disrupting the lives of the main characters. Also, part of his charm is that you never know if he is a good guy or not. In the novel, Oliver Pruitt is not the narrator, but his podcasts are an integral part of the story. In the transcripts, not only do we get a flavor for Oliver’s personality, but I weave in clues that he’s signaling to the reader. Which is why it’s important to read the podcast sections carefully along with the rest of the book!
[UK] It’s so great to see this mystery/adventure for kids with a South Asian American protagonist. Your thoughts on representation? How did you feel bringing Mars Patel to the page?
[SC] When I sat down to write my first mystery novel, VANISHED, it was very important to me that the mystery involved an Indian-American in the chief detective role. Which is how Neela, the main character, operated throughout the book. Her Indian heritage was important but remained in the background of the mystery. In the Mars Patel novel, I had similar ideas in mind. I was very drawn to Mars because he shares my South Asian heritage: his mother is from India. On the other hand, it was important that his heritage did not overshadow the plot. As one of my daughters said to me recently, she wants to be able to see Indian-American characters in movies and books who get to do all the same amazing things that their white counterparts do without focusing so much on cultural and ethnic differences. That’s how I see this book — showing us all the ways Mars is like any other American child growing up. His mother, Saira Patel, occasionally speaks in Hindi, she lights a diya in prayer, and some of the foods she mentions are Indian. She plays a larger role in the subsequent books, and in her, I see important moments that reveal her cultural heritage and how it shapes her character. To me, that strikes the right balance between Indian and American.
[UK] Every book teaches the writer something. What did writing this book teach you?
This project involved inheriting characters I knew nothing about. They were given to me and I met them like you might meet a stranger at a party. Which means I had to really spend time getting to know them inside out. In a strange way, it forced me to become more empathetic, to walk in someone else’s shoes. I had to dig deep to imagine their backgrounds and memories, and even, to figure out how they speak.
I think it’s important for all writers to find new ways to enliven our craft. It’s very easy to fall into the trap of writing the same stories or thinking about characters in the same way. In her ground-breaking book, THE ARTIST’S WAY, Julia Cameron speaks of filling the well, of finding activities and experiences that reinvigorate us as artists. Writing this series was definitely an invigorating experience for me. I know I will carry the ideas I learned from this book— on dialogue, on making my characters more inclusive, and thinking outside the box when it comes to finding missing things.
[UK] Thank you, Sheela! Happy trails to you and Mars and his pals!